{"id":10,"date":"2013-11-16T21:56:15","date_gmt":"2013-11-16T21:56:15","guid":{"rendered":"http:\/\/johnstein.com\/mingotanproject\/?page_id=10"},"modified":"2013-11-26T19:04:08","modified_gmt":"2013-11-26T19:04:08","slug":"drum-guitar-clinic","status":"publish","type":"page","link":"https:\/\/johnstein.com\/mingotanproject\/drum-guitar-clinic\/","title":{"rendered":"Educational Workshops and Master Classes"},"content":{"rendered":"<p class=\"descriptiontextleft\">The Mingotan Project is cultivating a mixture of original melodies and versions of jazz and klezmer\/sefardic music, but with grooves and feels from Afro-Latino-American music like tango, milonga, candombe, chacarera, samba, baguala, huayno, says, lando, marinera, festejo, cueca, chamame, etc. The result is an intoxicating mix of unique rhythmic-melodic grooves, feels, and textures that allow an audience to travel over the Pan-American freeway.<\/p>\n<p class=\"descriptiontextleft\">John is a long-time Professor at Berklee College of Music in Boston. Mingo is an experienced educator and deeply knowledgeable about South and North American, and World Music rhythms and grooves.<\/p>\n<p class=\"descriptiontextleft\">Together, they are adept at explaining and demonstrating the application of these authentic rhythmic grooves to standard and original tunes.<\/p>\n<p class=\"descriptiontext\">Performances at an Afro-Latino-American rhythm workshop at the Next Door Theater, Winchester MA, USA:<\/p>\n<p class=\"descriptiontext\">Carnavalito (example of Huayno-Saya feel, Bolivia)<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/8LLXdv_NIHM\" height=\"240\" width=\"320\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"descriptiontext\">Julieta (example of Candombe-Murga feel, Uruguay-Argentina)<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/C2lbJODNMyw\" height=\"240\" width=\"320\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"descriptiontext\">Caravan (example of Chacarera feel, Argentina)<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/i_2WxWohdSw\" height=\"240\" width=\"320\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"descriptiontext\">Aires Del Altoperu (example of Afro-Peruan Land\u00f3, Peru):<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/KVBEeRDEh1o\" height=\"240\" width=\"320\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"descriptiontext\">Have You Met Miss Jones (example of Milonga feel, Argentina)<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/6gifUTNOd48\" height=\"240\" width=\"320\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Mingotan Project is cultivating a mixture of original melodies and versions of jazz and klezmer\/sefardic music, but with grooves and feels from Afro-Latino-American music like tango, milonga, candombe, chacarera, samba, baguala, huayno, says, lando, marinera, festejo, cueca, chamame, etc. The result is an intoxicating mix of unique rhythmic-melodic grooves, feels, and textures that allow &hellip; <a href=\"https:\/\/johnstein.com\/mingotanproject\/drum-guitar-clinic\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Educational Workshops and Master Classes<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":11,"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":143,"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/pages\/10\/revisions\/143"}],"wp:attachment":[{"href":"https:\/\/johnstein.com\/mingotanproject\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}